All of Vegas is false. There’s a false Paris, a false Venice, a false Baghdad – in fact, all of the early Vegas aesthetic is Baghdad, which is also the irony. It’s ‘Aladdin,’ the sands, ‘One Thousand and One Nights.’

All of Vegas is false. There's a false Paris, a false Venice, a false Baghdad - in fact, all of the early Vegas aesthetic is Baghdad, which is also the irony. It's 'Aladdin,' the sands, 'One Thousand and One Nights.'
All of Vegas is false. There’s a false Paris, a false Venice, a false Baghdad – in fact, all of the early Vegas aesthetic is Baghdad, which is also the irony. It’s ‘Aladdin,’ the sands, ‘One Thousand and One Nights.’

All of Vegas is false. There’s a false Paris, a false Venice, a false Baghdad – in fact, all of the early Vegas aesthetic is Baghdad, which is also the irony. It’s ‘Aladdin,’ the sands, ‘One Thousand and One Nights.’

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